
When I was a child, we visited an old aunt of mine who lived on top of a mountain in the boonies of Northern Virginia.
She was an uneducated woman, but she could cook like nobody’s business. And she often talked about the hard times, the old days she still remembered so well. She’d sing an old spiritual called “The Little Black Train’s A-Comin’” with a lilt in her voice and a sad, wistful look in her dark, faded eyes.
This weekend I watched a train slowly make its way toward Washington.
My mother told me about hearing world-famous contralto Marian Anderson on an Easter Sunday, singing to an integrated audience on the steps of the Lincoln Memorial, because she’d been denied permission to sing in Constitution Hall by the D.A.R. Having been raised in the South, my mother knew all about closed doors, and that moment in time stayed with her for her entire life.
Those doors have been opened.
I didn’t support Barack Obama because he was Black. But it IS significant that he is, and seeing the Inauguration approach does bring on an amazing wash of emotions. I find myself thinking of all the people I wish could’ve lived to see this historic moment.
There are SO many who worked for it, who cried, who fought, who sacrificed. So many who, like Dr. King, had a Dream, and paved the way, generation after generation, to make even the possibility real. On the shoulders of giants—yes. But also of sharecroppers, factory workers, protestors, and footsoldiers of every race, age, and religious persuasion. People who believed in the words this country was built on, and were determined to make them true.
I’ve watched part of the celebration so far, heard from people on the sidelines from California, Texas, Jamaica, Denmark, England, Puerto Rico, all coming to celebrate what they hope is a new beginning. I saw George Lucas walk casually along, then stand to join the rest of the crowd among the ageless monuments of Washington. I watched history being reflected in that enormous pool before the Monument, and thought of all those who’d gone on before.
I’ve never seen such a diversity of people at an inaugural celebration. They looked cold as hell in that frigid weather, but it warmed my heart.
A sign of progress? Yes. And yet…I catch myself holding my breath sometimes when I see the President Elect in a crowd of people…
I hope this Presidency will move America forward, as it has The Dream.
I hope for better days to come for this country.
I hope.
I feel like I must acknowledge the demise of two actors I admired very much. I hate to see the old artists passing with little or no attention…

RICARDO MONTALBAN, one of the first Latino actors to obtain star status in Hollywood. Well-known for “soft, Corinthian leather”, playing Mr. Roarke in “Fantasy Island”, and Khan in a Star Trek episode and movie, he always carried himself like a gentleman with a saucy, persuasive voice. I always enjoyed watching him (and if you’ve never seen the PILOT episode for “Fantasy Island”—DO SO. Mr. Roarke was FAR less friendly, almost a demonic character. Good stuff.).

PATRICK McGOOHAN, chameleon-like leading man/character actor of television and movies. Best known for his enigmatic 60s show, “The Prisoner” (which still has a cult following), McGoohan had a mesmerizing screen presence. He was often wooed as a “Kingly” actor, such as for his role in “Braveheart”, but he wasn’t a Hollywood-kinda guy, and seemed very selective about the parts he played. Loved him in multiple “Columbo” episodes—but my favorite was his lead role in Disney’s “The Scarecrow of Romney Marsh” as Dr. Syn, the vicar with the intriguing secret identity. If you haven’t seen it—DO SO. Great storyline, and the man has a voice that’ll make you swoon!
Sad tidings.
And it’s below zero here weatherwise, so I’m heading south to the CHICAS site to blog today>>>>>>>>>>>>>>
Yes, I’ve been a sucky blogger—again. :(
I can blame part of it on having absolutely nothing significant going on right now.
I’ll blame the rest on the current WIP. Driving me nuts. Ok, nuttier.
Finished chapters that now seem out of place or sequence. I’m playing shuffleboard with the damn things, or deleting them entirely which, of course, leaves holes. Large, gaping holes, big as the smile of the freaking man on the moon, and just as cheesy.
And then there are the pushy people. I have twice as many characters as usual (so far), and everybody wants to mix it up, kill somebody, have sex, be a S*T*A*R.
Wtf? Whatever happened to supporting actors, dammit?! XD
And the pacing. Gawd, the pacing. There’s a trick to introducing a slew of characters into a manuscript without bewildering the reader, or slowing the pacing down too much, or going the info-dump route.
The trick?
As soon as I get a handle on it, I’ll let you know.
AUUGGHHHH!!!
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